My Lords, as has been noted by the noble Lords, Lord Effingham and Lord Foster of Bath, on Friday, 10 January, the Department for Business and Trade and the Department for Culture, Media and Sport published a consultation on live events and the resale of tickets, and a call for evidence on pricing practices in the live event sector. Tackling the resale market was a manifesto pledge and I am grateful for the noble Lord, Lord Foster of Bath, noting and reminding us of the work over many years by Members of your Lordships’ House. I am also grateful for the broad support for these measures from the noble Lord, Lord Foster, and for the support of the Opposition—albeit caveated—from the noble Lord, Lord Effingham. I hope I can respond to the noble Lord’s concerns as I go through my speech.
The UK has a world-leading live events sector, which is the heartbeat of the UK’s cultural and economic landscape. It employs, as noble Lords will be aware, over 200,000 people and contributes to local economies and communities up and down the country. Live performances create unforgettable shared experiences, uniting communities up and down the country. However, too many fans are still missing out on opportunities to experience these live events, because ticket marketing, as noble Lords will be aware, is not working for fans.
We agree with the noble Lord, Lord Effingham, that a well-functioning ticket resale market can and will play an important role in redistributing tickets between genuine fans. Far too often, however, we see tickets being listed on the resale market at extortionate prices—many times the original price in the primary market—which removes tickets from the ability of legitimate fans to buy. It is not a question of legitimate fans buying tickets they cannot use and needing to get their money back by reselling their tickets; what we are talking about here, and we need to be clear about this, is the work of organised touts—big business buying up tickets in bulk on the primary market, solely to sell on to fans at hugely inflated prices.
These people are not only denying true fans the opportunity to buy tickets on the primary market, they are pocketing any profit for themselves. Very little of the additional revenue goes to the live music sector. This Government are committed to putting fans back at the heart of live events and clamping down on unfair, exploitative practices in the secondary ticketing market. In doing so, we want fairness for fans and an economically successful live events sector.
We have launched this consultation as the first major step towards delivering on this ambition. The consultation outlines a range of options to address problems in the resale market, including a statutory price cap on ticket resales, a licensing regime for resale platforms, new limits on the number of tickets individual resellers can list, and new requirements on platforms to ensure the accuracy of information about tickets listed for sale on their websites. We also want to understand whether there is scope for the primary market to do more to prevent touts getting hold of tickets in the first place.
In response to the question from the noble Lord, Lord Foster, on whether the Government have a preference on where that price cap would land, we are open through the consultation to hearing from a range of stakeholders and we do not have a preference on that. The noble Lord, Lord Effingham, suggested that it is possible that the price cap could lead to an increase in unregulated activities, scams and a potential increase in black-market sales. We have launched a consultation to learn from the experience of other countries introducing measures such as price caps on the resale of tickets. The ticket marketing is broken for fans, in our view; doing nothing is not an option. The measures will be intended to ensure that revenue flows to the sector, including the venues and artists, and not to the touts.
The noble Lord, Lord Foster, asked about enforcement. I absolutely recognise the importance of enforcement of consumer protection legislation, and the consultation seeks views and proposals to make this more effective for ticket resale. In many areas, there are successful enforcement measures taking place. For example, in May last year, following an investigation by trading standards, notwithstanding the point the noble Lord made about trading standards officers, four people were sentenced to a combined total of six years and five months in prison, with substantial fines, for criminal activity in relation to ticket touting. Prosecutions such as these send a message to the ticket touts. We hope the consultation will allow us to strengthen the enforcement of consumer protection legislation, as well as making it more difficult for touts to operate.
There were a number of other questions the noble Lord raised to which I do not have the answer now, but I will write to him. There was a question around dynamic pricing more generally. For our live events industry to be successful and sustainable over the long term, we believe that fans, artists and organisers all need to feel fairly treated, so, where dynamic pricing is used, it must be done in a way that is compliant with consumer protection law.
We are also issuing a call for evidence on pricing practice across the live events sector to better understand the changes adopted by the sector in selling tickets in recent years, including the use of new pricing strategies and technologies, and how these impact on the experiences of fans. It is important that fans are treated fairly and openly, with timely, transparent and accurate information presented ahead of sales.
We are seeking evidence on how the ticket pricing system for live events generally works in UK, if and how consumers are being impaired by lack of transparency in this area, and whether new business models and technologies are creating new risks for consumers or gaps in the consumer protection framework. The consultation and call for evidence will be open for 12 weeks. It is closing on 4 April. We will then decide on next steps, but be in no doubt that we intend to act. I look forward to hearing Members’ views in the debate today and also, hopefully, through the consultation period. For too long, fans have been excluded from seeing the artists and shows that they love, due to organised touts. This Government are determined to clamp down on touts. The question is not whether but how we improve protection for fans.